The Makeup Colours Returning for 2026
Makeup colours are beginning to feel warmer again. Not dramatically bright or overly saturated, but richer...
This year’s Met Gala accompanies the Costume Institute’s 2026 exhibition, Costume Art, with the evening’s dress code titled Fashion Is Art. The theme feels expansive and visually driven, continuing the Met’s tradition of treating fashion as part of a wider cultural conversation.
Thinking about this year’s Gala brought me back to a very different exhibition I visited years ago at the Metropolitan Museum of Art: Jacqueline Kennedy: The White House Years.
Presented in 2001 by the Costume Institute in collaboration with the John F. Kennedy Library and Museum, the exhibition featured around eighty original garments and accessories worn by Jacqueline Kennedy Onassis during her years as First Lady.
What stayed with me most was the structure and formality of everything.
The tailoring was incredibly precise. Structured suits, pillbox hats, gloves, coats, matching accessories, evening gowns. Dressing during that period felt intentional down to the smallest detail. There was a level of coordination and presentation that feels far less common now.
Walking through the exhibition, it was striking how polished daytime dressing once was. Even the simpler looks carried shape and refinement. Many of the pieces were designed by names including Oleg Cassini, Chanel, Dior, Givenchy, and Chez Ninon. A black Chanel day suit shown in the exhibition still feels remarkably modern today.
What also stood out was how much colour appeared throughout the collection. Because so many photographs from that era are remembered through black and white imagery, seeing the garments in person felt surprisingly different. Soft pinks, ivory satin, pale blue tones, rich reds, embroidery, texture. The clothing carried far more depth and softness than many people might expect.
The 2001 Met Gala itself reflected that same elegance. Guests including Naomi Campbell, Iman, Renée Zellweger, Demi Moore, Diane Sawyer, Carolina Herrera, and Caroline Kennedy attended the opening gala tied to the exhibition.
Looking back now, the atmosphere surrounding fashion feels very different. Modern fashion culture moves faster, though there also seems to be renewed interest again in more refined dressing, structured tailoring, and pieces that feel lasting rather than temporary.
Perhaps that is partly why the Jacqueline Kennedy exhibition continues to stay in memory so clearly.
Sharlene | Founder
Mooi & Co
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